samuelmouse: very simple drawing in thick lines of a mouse (Default)
2025-11-28 02:08 pm

Fic

A friend of mine has been writing a fic. His is about vampires. He's been having a lot of fun with it and texting me about it, and his enthusiasm is infectious. It made me want to pick up a story I started writing last year and abandoned. I found I still had the notes about what I wanted to do next. I've written six new chapters, over 6,000 words, in the last two days. It started as a rewrite of The Craft: Legacy (2020) but I'm finding that I want it to be more than that, to address what struck me as a deeply unfair ending and framing in the original The Craft (1996). 

I'd like to say this is me "fixing" the "problems" with the two movies, particularly the sequel, but really it's just making it more to my own taste. The magic is more subtle. The men's-movement character more complex, though still problematic. The setting more dinky and middle-class. The biology-is-destiny message subverted. But ultimately, I'm following the fun of taking a story I liked well enough and making it something I wanted to see. That's what fanfiction is, isn't it? 

Here's A Lot of Weirdos
samuelmouse: very simple drawing in thick lines of a mouse (Default)
2025-11-23 11:40 am

on leaving thefacebook

Warning: this post contains spoilers for the novel You Too Can Have a Body Like Mine by Alexandra Kleeman. In my opinion, the spoiler will not ruin the novel. 

As mentioned in my previous post, I recently deactivated my Facebook account. 

My history with that site spans about nineteen years. I first got an account in 2006, when I started college. It was at that same time the site became open to people who weren't college students, so I unexpectedly found myself Facebook friends with my parents and with other adults and still-in-high-school friends from back home. I was living in New York City, making new friends, going to classes and events and exhibits, but I was frankly way too invested in what was going on back in Kellswater. I was thinking of myself as part of the social circle I'd been in before leaving, and I think Facebook is a large part of why I wasn't able to jump headfirst into a new experience. Why I was so tethered. 

Apart from deactivating that account for a few months around 2010, back when doing so was about like not having a phone number, I've been very active on the site ever since up until a week or so ago. 

I'm not interested in telling anyone else to quit the site. Not everyone has the difficulty with moderation that I do. I have a few friends with accounts who log on maybe twice a month, something I find unfathomable. In sharing my reasons, I'm in no way trying to convince anyone. But here's why I'm glad I got off of thefacebook: 

1. rage roulette 
This was the biggest impetus for deactivating. It was particularly bad with Reels (see #2) but it was coming up with posts as well, especially since more and more I was seeing posts in my timeline from random pages I didn't follow. When you're scrolling through dozens and dozens of people's Hot Takes and opinions designed for maximum engagement, you're going to see things that are infuriating. Every day I was seeing blatant racism, homophobia, transphobia, antisemitism, Islamophobia, xenophobia, and the kind of ignorance that literally costs lives. And on top of seeing this stuff and getting mad about it, I was seeing a layer of content on top of that from people saying "look at all this shit, look at it, don't stop looking! If you stop looking, you're a terrible person!" and that in itself was infuriating. I know that my setting up recurring payments to Doctors Without Borders and World Central Kitchen does more good than staring at video after video of horrible imagery without actually doing anything about it. But people who make their money from getting you to watch and engage with their videos are quite literally invested in convincing you that "paying attention" -- spending more time on social media -- is the only way to be a moral person. I was spending more and more time in a state of rage. I'm in my late thirties. I'm seeing peers drop dead from sudden heart attacks. I refuse to believe that killing myself by living in a constant state of impotent fury is more morally righteous than doing what I can and then stepping back. 

2. dopamine slot machine
A secondary issue was the amount of time wasted on endless scrolling, especially with Reels. I can still screw around online, on Reddit and on Youtube (where I long-ago turned off my watch history and now only look at a handful of channels). But it's not the endless chain of mini-rewards. It's not a struggle to pull myself away. I'm finding myself getting bored again, and that's a great thing. 

3. context collapse
I recently finished reading Amanda Ripley's High Conflict: Why We Get Trapped and How We Get Out. (This was at the insistence of my rabbi, who was probably also worried about me dropping dead from a sudden rage-induced heart attack.) It's a useful and thought-provoking book, I'd even say it's an important book. One particular line stood out to me, where the author is talking about how we need to communicate with people in a way they can hear, by speaking to their values. She says "is it manipulative to speak French when visiting France?" Code-switching is valid and necessary. It's not about being fake, it's about making sure the person you're talking to can receive the information you want to communicate. When I made a Facebook post, it was going out to all ~200 of my Facebook friends (theoretically; see #4). I wasn't able to communicate effectively because I had to speak in a universal language, the social equivalent of Esperanto. And linguists will tell you that conlangs are limited compared to natural languages. If I tried to get through to a right-leaning friend by addressing their concerns and values but still making my point, a left-leaning friend would see that and argue with me over my word choice. This isn't a criticism of the friend who took issue with my wording; it's a criticism of the platform that puts us all in a giant open cafeteria together.  

4. screaming into the void
Even though, in theory, a post with the audience set to "friends" was meant to be seen by everyone in my friends list, the reality is that only a few people would see a given post. Sometimes no one would see a post. I did some experiments and found that certain topics seem to get shadow-censored. Even doing algospeak to get around that (which I hate), I found that when I shared posts or videos, no one would react. I also noticed I never saw shared videos show up in my feed, even though friends were sharing them.
This all contributed to a feeling of constantly screaming into the void, which just isn't great. 

5. fake food
This brings me to the spoiler mentioned at the top. In the novel You Too Can Have a Body Like Mine, the main character joins a cult where many innocuous foods (like tomatoes, if I recall correctly) are deemed unclean. Cult members subsist on a specific brand of snack cake, because it's considered to be clean. Late in the novel, the character discovers the nutrition information for these cakes and finds that they have almost no calories. Everyone in the cult is slowly starving to death eating piles of these snack cakes.
Facebook felt to me like these five-calorie snack cakes. I'd feel a need for social connection, get on facebook, and feel as if I'd gotten some without actually gaining any nourishment. Maybe a little (those cakes do have five calories) but it wasn't a replacement for direct connection. I don't even necessarily mean in-person, either: there's a significant difference I feel between interacting on FB and exchanging a phone call, email, or even text. Maybe this doesn't hold true for everyone, but there's something about the specificity of reaching out via phone or email that feels more solid than interacting on the platform that algorithmically serves people up to you on a convenient platter. 

6. false binaries
There's a forced binary when you're on FB: you're either friends with someone or you're not. You can unfollow someone who's annoying you but whom you don't want to unfriend, but you're still designated friends. It forces you to clearly label someone as In or Out of your social network. (I know some other sites, like one of the ones Google attempted if I recall correctly, had different circles or layers of friendship. But I think this is the same problem, just made slightly more complicated.) Human relationships can be fluid and messy. Having to decide if every single person I met belonged in my digital village or not felt absurd. (I also was not facebook friends with my rabbi, with whom I have a fairly close relationship, because I was not sure I could handle the idea of my rabbi seeing my repost of a cake that looks like a twerking Edward Cullen with glittery ass cheeks.) There's also the sense that if you're Officially Friends with someone on a social media site, you endorse that person and all of their opinions and behavior. It puts you in the position of being expected to purity-test everyone you know, or get questions like "why are you still friends with --? Didn't you see they said --?" Give me some wiggle room for crying out loud. 

7. RSD and reality
Being off of facebook is also forcing me to directly confront my rejection-sensitive dysphoria. Sometimes I'll email someone and not hear back. Maybe because they're busy or they didn't see the email, maybe because they just don't have anything to say to me. Sometimes I'll call someone and they won't pick up. That's OK. But it's all too easy for me to imagine that someone secretly hates me. It's hard to explain this one, but it feels like without FB I have to sit with my RSD in a way that's healthier. Because if the only contact I have with someone is email/phone and I don't get a response, then I've just got silence to sit with instead of seeing their recent posts and trying to guess what's going on with them from that. Maybe this ties in to the sense of FB as a kind of fake social food, but it was preventing me from really sitting with a total absence of communication from someone. 

I'll be moving very far away from Gardenpath in the next year. This morning I found myself thinking what bad timing: how am I going to keep in touch with people? How am I going to make friends? How am I going to do anything? But then I remembered what college was like, looking at the posts of people back in Kellswater and feeling as if I were "keeping in touch." I wasn't keeping in touch; I was just looking backwards. And I know how much more it meant to me to get a series of emails from a friend of mine as he drove out west, just a few paragraphs describing the gas stations and motels he was stopping at, than it meant to see dozens of daily posts from people who weren't really talking to me. 

That's about all I have to say about that. I've got pumpkin pies to make.  


samuelmouse: very simple drawing in thick lines of a mouse (Default)
2025-11-17 10:11 am

mouse house

A new blog. I've had a Neocities website for a little bit, which takes me back to the days of Geocities, Angelfire, Tripod and all those wonderful "here's a box, put some HTML in it, run free!" website platforms that existed when I was in middle school. And Dreamwidth here seems to be providing the good old Livejournal experience. (I actually had a Deadjournal at first, back when Livejournal was more exclusive. It was like Livejournal but with swears.) 

What am I doing here? Should I tip my hand? Sure, why not.
I've been inspired to an attitude change by the World's Greatest Author, Chuck Tingle.

(Side note: I love being liberal with hyperlinks. Hypertext is the fundamental component of the internet: HTTP is hypertext transfer protocol, HTML is hypertext markup language. All of the infrastructure of the world wide web is in service of hypertext. It works the way conversations with close friends work, branching off in a million directions and then branching off of those branches.) 

It was Dr. Tingle's interview on the Publishing Rodeo Podcast that made me see authorship and persona differently. The episode is entitled "More Than the Text of Our Book" which is a great distillation of the interview, or at least that portion of it. The hosts brought up how authors tend to hate the need for a "presence," that we all just wish we could put our writing out there to stand on its own and then retreat back into our caves. But Chuck Tingle's response was enlightening: the persona, the presence, is part of the art. It's not some annoying chore that has to be done so that you can get back to the real work of putting words on the page of your official manuscript. It's all part of the story. 

Recently, I liberated myself from Facebook after nearly two decades. (Just over nineteen years, to be precise.) It took a lot of work to make this a clean(ish) break and not a loss; I spent a lot of time saving birthdays, contact information, and the content of a million saved reels. It's been a few days but I have not regretted the decision once.

A little while back, I had a brief stint on Bluesky but left after a huge influx of former Twitter users who were behaving in ways that made the experience feel like going in to a very, very tiresome battle rather than being at a party or even a symposium. 

I'm not good at social media. I'm most comfortable in private, one-on-one or small-group conversations where the participants can focus on communicating with and listening to each other rather than worrying about what something sounds like to an unknown, hypothetical audience. (Or a known but vast and heterogenous audience.) 

Why am I on Dreamdwidth? Is it just the nostalgia, or is it the fact that it feels so out-of-the-way? I have at least two friends with Substacks, but it didn't occur to me to make a Substack. And not because of any controversy -- I'm not sure there's any online platform that's totally morally righteous. But because Substack feels so visible, and I ain't ready for that. No thanks. 

What is this for? It's for, as Dr. Tingle framed it, telling the story outside of the covers (or the Wattpad page). 

Caveat: some of what you read about here will have taken place in a different America.